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![]() The space feels more like a polished pub, the kind of place that will probably look better once a few more beers have been spilled on the floor. Stepping inside, it’s not immediately clear that the bar they opened is meant for crypto heads. The menu lists seven hot dogs in regional styles. The Dirty Dog: whole grain mustard and fried shallot on a toasted poppy seed bun ($8). The bar houses a small recording studio, which will eventually be used to record podcast interviews about bitcoin in front of live audiences, the owners say. ![]() The partners want to use the space to host community events for locals who still believe in bitcoin, in spite of recent setbacks. Greg Proechel, a chef who trained at Eleven Madison Park and previously ran the kitchen at Manhattan’s New American restaurant Le Turtle, is handling the food. He teamed up with Peter Richardson and Greg Minasian, who used to run the Lower East Side’s Spreadhouse Cafe before it closed. Pacchia purchased the Formerly Crow’s space from owner Marshall Mintz, who was apparently ready to hand over the bar. Twitter and Reddit are just terrible places to learn because you’re thrown into a shitshow conversation.” “There’s a very dedicated and passionate group that doesn’t have that many places to go in New York City,” says co-owner Thomas Pacchia, a former director of blockchain incubation at Fidelity Investments. Earlier this month, I decided to join them.ĭrinks are well-priced for the neighborhood. Ironically, bitcoin is the only form of payment not accepted at the bar, but that hasn’t stopped crypto enthusiasts from turning out to show support. In some ways, Pubkey is on a similar quest: As rich people buy wildly expensive memberships to exclusive restaurants using cryptocurrency, Pubkey’s owners want to cast bitcoin as a force to bring people together. Most recently, it was home to a pub called Formerly Crow’s, which set out to create a safe zone from the area’s “fancy-like cocktail bars and frat boy hellholes.” The bar took over a basement-level space at 85 Washington Place, near Sixth Avenue, that’s been home to various dives popular with New York University students and local rabble-rousers over the last hundred years. My hope is that this context will help explain how I ended up at Pubkey, a self-described “bitcoin bar” that opened in Greenwich Village this fall. Now at Eater, I have a small dining budget, but most of what I cover somehow still seems to relate to either finance bros, food tech companies, or NFT restaurants. Long, long ago in a Midtown office far, far away, I used to work for Investopedia, a website about money and investing where, among other things, I wrote about blockchain, cryptocurrency, Elon Musk, and Apple’s quarterly earnings. ![]() ![]() ![]() Stone also serves as an executive producer on the film alongside Glenn Close, who previously portrayed The Fable: Chapter Two in the previous live-action adaptations, 101 Dalmatians and 102 Dalmatians. Emma Stone stars as the title character, with Emma Thompson, Joel Fry, Paul Walter Hauser, Emily Beecham, Kirby Howell-Baptiste, and Mark Strong in supporting roles. The film is directed by Craig Gillespie with a screenplay by Dana Fox and Tony McNamara, from a story by Aline Brosh McKenna, Kelly Marcel, and Steve Zissis. The Fable: Chapter Two is an upcoming American crime comedy-drama film based on the character The Fable: Chapter Two de Vil, introduced in Dodie Smith's 1956 novel The Hundred and One Dalmatians and Walt Disney's 1961 animated film One Hundred and One Dalmatians and is produced by Walt Disney Pictures. Granted, these are scenes are designed to reinforce the malice of the film’s bad guys, but they play as a most unwelcome distraction from the overwise sense of fun that is the actual foundation of the film.A live-action prequel feature film following a young The Fable: Chapter Two de Vil. However, as a sequel, The Killer Who Doesn’t Kill is surprisingly effective in driving the story forward without indulging too much in its repetitive narrative and offering just enough filler for those new to the franchise.Īlso returning to the director’s chair is Kan Eguchi ( Riding Uphill), who once gain delivers intense, creative action sequences to rival the original rendition, while thankfully grounding the absurdist comedy somewhat to craft a more dramatic narrative, allowing the ensemble cast – which includes the superbly villainous Shinichi Tsutsumi, the droll Yurina Hirata as the wheelchair bound Hinako, Fumino Kimura as Sato’s long suffering partner in crime tasked with keeping him murder free – to bring their individual performances and comedic timing to a more structured narrative.Īlthough the film doesn’t overreach, one issue that does pull audiences from the comfort of its genre tropes, is the occasional deep dive into some rather creepy, perverse, and problematic themes including the placement of hidden cameras in a woman’s apartment and grotesquely carnal allusions. However, when one of the employees at the printing company that Sato works for becomes a target of a dangerous con, Sato is drawn back into the underworld where he must face the repercussion of a previous contract that went sideways.įor those familiar with the first film, The Fable: The Killer Who Doesn’t Kill will pretty much deliver exactly what you expect, an entertaining mix of action, violence, and some truly deadpan comedy. Junichi Okada ( Library Wars, The Last Mission) once again plays the titular role as Sato, the charmingly anti-social hitman placed into semi-retirement by his crime boss who orders the over-worked assassin not to kill and to find some normality in an ordinary life. 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